The Company of Undertakers
A Consultation of Physicians, or The Company of Undertakers is a 1736 engraving by the English artist William Hogarth that satirizes the medical profession.[1][2] It depicts a coat of arms with three notorious quacks of the time―John Taylor, Sarah Mapp, and Joshua Ward—seated at the top of the shield and twelve physicians below, implying that the quacks and the physicians are one and the same.[3] The blazon at the bottom of the print reads:
The company of undertakers beareth, sable, a urinal, proper, between twelve quack-heads of the second, and twelve cane-heads, or consultant. On a chief, nebulae, ermine, one complete doctor, issuant, checkie, sustaining, in his right hand, a baton of the second. On his dexter and sinister sides two demi-doctors, issuant, of the second, and two cane-heads, issuant of the third; the first having one eye, couchant, towards the dexter side of the escutcheon; the second, faced, per pale, proper, and gules guardant. With this motto—Et plurima mortis imago.[4]
Taylor, seated at the top left, is winking and holds a cane bearing an open eye, a reference to his dubious ocular surgeries. The bonesetter Mapp holds a large bone in her hand, and Ward, a pharmaceutical charlatan, is depicted with a half-red face, representing the man's distinctive port-wine birthmark.[5] A physician in the bottom right holds a urine flask, likely referencing the practice of uroscopy.[6] Other physicians examine the flask, holding perfumed canes to their noses to cover up the smell—perhaps of death.[3][7] The motto translates to "And many are the faces of death"[3] or "Everywhere the image of death".[8] The doctors' canes resemble the batons held by undertakers at funerals,[9] and death is symbolized by the black background and the crossed bones at the bottom of the crest.[2][4] The language of "quack-heads" and "cane-heads" equates the intellect of the doctors to that of their canes.[10]
See also
References
- ^ "The Company of Undertakers". Royal Academy. Archived from the original on 30 January 2022. Retrieved 12 August 2022.
- ^ a b Geraghty, K. (2001). "The Company of Undertakers: Satire and the Medical Profession". AMA Journal of Ethics. 3 (4): 117–118. doi:10.1001/virtualmentor.2001.3.4.mhst1-0104. PMID 23272961.
- ^ a b c "A Consultation of Physicians, or The Company of Undertakers". Philadelphia Museum of Art. Archived from the original on 1 April 2022. Retrieved 12 August 2022.
- ^ a b Hogarth n.d., pp. 225–6.
- ^ Haslam 1996, pp. 56–61.
- ^ Haslam 1996, p. 79.
- ^ Shesgreen 1973, plate 40.
- ^ Haslam 1996, p. 55.
- ^ Haslam 1996, p. 54.
- ^ Gwyn, N.B. (1940). "An interpretation of the Hogarth print "The Arms of the Company of Undertakers"". Bulletin of the History of Medicine. 8 (1): 115–27.
Works cited
- Haslam, F. (1996). From Hogarth to Rowlandson: Medicine in Art in Eighteenth-century Britain. Liverpool University Press. ISBN 0-85323-630-5.
- Hogarth, W. (n.d.). The works of William Hogarth, moralized. London: J. Goodwin.
- Shesgreen, Sean (1973). Engravings by Hogarth. Dover Publications. ISBN 978-0-486-22479-4.
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- List of works
- Emblematical Print on the South Sea Scheme (1721)
- The Bad Taste of the Town (1724)
- A Just View of the British Stage (1724)
- Before and After (1736)
- The Company of Undertakers (1736)
- Strolling Actresses Dressing in a Barn (1738)
- The Distrest Poet (1741)
- The Enraged Musician (1741)
- Characters and Caricaturas (1743)
- Industry and Idleness (1747)
- Beer Street and Gin Lane (1751)
- The Four Stages of Cruelty (1751)
- Columbus Breaking the Egg (1752)
- Satire on False Perspective (1754)
- Credulity, Superstition, and Fanaticism (1761)
- Five Orders of Periwigs (1761)
- John Wilkes Esq. (1763)
- The Assembly at Wanstead House (c. 1728–1732)
- Before and After (1730–31)
- A Harlot's Progress (1731)
- A Rake's Progress (1732–33, The Tavern Scene)
- Scene from Shakespeare's The Tempest (c.1735)
- Four Times of the Day (1736)
- The Distrest Poet (1736)
- The Shrimp Girl (c.1740)
- Portrait of Captain Thomas Coram (1740)
- Taste in High Life (1742)
- The Graham Children (1742)
- Captain Lord George Graham in his Cabin (1745)
- David Garrick as Richard III (1745)
- Painter and his Pug (1745)
- The Gate of Calais (1748)
- Hogarth's Servants (c.1750)
- The March of the Guards to Finchley (1750)
- Humours of an Election (1755)
- Sealing the Tomb (1755)
- Hogarth Painting the Comic Muse (1757)
- The Bench (1758)
- The Lady's Last Stake (1759)
- Sigismunda mourning over the Heart of Guiscardo (1759)
Marriage A-la-Mode (1745) |
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- The Analysis of Beauty (1753)
- Trump
- Sarah Malcolm
- Hogarth Club
- Mary Edwards (Patron)